A New Studio. A New Chapter. Still Glasgow.

A New Studio

I haven’t gone far — I’m still here in Glasgow — but everything feels different.

I’ve moved into a studio of my own.

Not a shared corner.

Not borrowed hours.

Not working around someone else’s timetable or noise.

My own space. My own walls. My own pace.

And that changes everything.

Why the Move?

The decision was practical — it needed to be. Space, logistics, the quiet realities of making things for a living. But it was also about possibility.

For a while now I’ve wanted to offer something more structured. More immersive. More generous.

A better environment for the people who trust me with their time and curiosity.

This new studio allows that.

It’s a space I can shape intentionally — set up properly, leave work in progress undisturbed, and most importantly, create a welcoming environment that feels less like a hired room and more like a working studio should: alive, slightly chaotic, honest.

Workshops — Now With Room to Grow

This move isn’t just about square footage.

It’s about opening the doors properly.

There are now three ways to work with me in the studio:

3-Hour Introductory Sessions

Short, focused, hands-on.

Perfect if you’re curious or trying glass for the first time.

You’ll leave having made something real — not just watched a demonstration.

Full-Day Workshops

For those who want to immerse themselves.

More time. More depth. More problem-solving.

A full day to understand the material and begin working with confidence.

10-Week Block Sessions

This is the new development.

For the first time, I can offer structured 10-week blocks in my own space — allowing skills to build properly over time.

The core long-form programme will focus on stained glass, giving you a solid foundation in design, cutting, leading, soldering and understanding how light interacts with structure.

As soon as the kiln is installed, I’ll also be introducing dedicated courses in:

• Screen Printing on Glass

• Painting on Glass

And yes — fused glass will follow. Heat changes everything. It fixes line, melts colour, and transforms intention into something permanent.

Who It’s For

Beginners.

Curious outsiders.

Those who’ve worked with glass before and want to sharpen their technique.

No gatekeeping. No art-school ego. Just serious making in a space built for it.

Why Glass?

There’s something quietly defiant about working with glass.

It’s fragile.

It’s unforgiving.

It demands precision.

And yet, when it works, it holds light in a way nothing else does.

Stained glass connects to history.

Screen printing introduces bold graphic language.

Painting on glass allows narrative and surface detail.

Fusing feels almost alchemical.

This new studio gives me the control and flexibility to teach these properly. Safely. Thoroughly. Without compromise.

This space exists for making.

If you’ve been watching from the side-lines, step in.

If you’ve been meaning to try something creative, this is the moment.

If you want depth, commit to the 10 weeks.

The doors are open.

And soon, the kiln will be glowing.

If you’d like to join a workshop, try a session, or find out more about what’s coming next, get in touch.